How to Create a Dancer Warm Up and Why it is Important
As a young dancer I never really considered the importance of warming up. If you looked across the room before a ballet class I remember seeing dancers sitting in their middle splits, legs on the barre stretching forward and chatting about their weekend plans. When I got to college level dance I discovered my schools recreation center and weight room. It was not until my Anatomy and Physiology class in college that I learned how to strength train and why it is so beneficial in activities like jumping and leaping that was necessary in dance.
By Caroline Schmidt, ACE CPT, DWC Ambassador
pronouns: she/her | pronunciation: kay-row-line sh-midt
As a young dancer I never really considered the importance of warming up. If you looked across the room before a ballet class I remember seeing dancers sitting in their middle splits, legs on the barre stretching forward and chatting about their weekend plans. When I got to college level dance I discovered my schools recreation center and weight room. It was not until my Anatomy and Physiology class in college that I learned how to strength train and why it is so beneficial in activities like jumping and leaping that was necessary in dance. In undergrad I started personal training and discovered a warm up routine that worked for my body. The first most important thing when creating a warm up is to ask yourself what is required of me? In running you need strong legs and core, for rock climbing you need mobility and upper body strength, in swimming you need length and power. My warm up routine is a combination of yoga, running and strength training that I have found over the years!
You might ask: why do I need to warm up? I am a young dancer I can just jump right in to my dancing right? Well, there are many benefits to a good warm up. The most important thing is that it is a gentle way to start preparing your body for what is to come. If you were to do a heavy squat you wouldn’t just jump in to lifting the heaviest weight right? You start with a gentle activation of the muscles to tell them it’s time to work. It is also good for your muscles and your heart to gradually build up to movements. A warm up is also really important to decrease the likelihood of injury. If you go too hard too fast you might tear a muscle or hurt yourself.
Studies have shown the importance of a good warm up and how it can increase your performance in 79% of all aspects being analyzed. This analysis has shown that performance improvements can be seen after completion of adequate warm-up activities, and there is little evidence to suggest that warming-up is detrimental to sports participants. (Fradkin et al, 2010). There has been a large debate regarding if static stretching before activity decreases physical athletic performance. I prefer a dynamic stretching approach which you can see is built into my example warmup program. Dynamic stretching is where you are stretching throughout a range of motion however you aren't just sitting in a position for prolonged period of time. You are active and using your muscles to move through the range. I like this because it is more functional in dance! There are also some detrimental effects to just static stretching especially before you are warm enough including decreasing your ability to produce a strong muscle contraction for powerful movements like jumping and thus decreasing performance (McMillan, 2006).
I like to take a very analytical approach to my warm up. You have your major joints and its a good idea to warm up each major muscle group. Major muscle groups include: glutes/hamstrings, quads/ hip flexors, shins and calves, abdominals, chest pushers and pullers. An exercise for each with a gentle activation will start to remind these muscles it's time to work! I like to start with a whole body connection to get the blood flowing and end with a full body connection moment putting everything together. I also like to do exercises where I am not only stretching but strengthening to start to build the neural connections. This is an example warm up routine that I have found works for my body but may not necessarily for everyone!
My Warm Up Routine:
Step 1: whole body connection movement
- Sun Salutation from standing into plank and hip stretch with worlds greatest stretch
Step 2: chest pushers
- Plank shoulder taps
Step 3: back pullers
- Superman and lat pulls
Step 5: quads/ hip flexors - Bird dogs
Step 4: glutes/hamstrings - Bridges
Step 6: abdominals
- Dead bugs
Step 7: shins and calves
- Squat into a calf raise
Step 8: full body connection moment puting everything together
- Single leg RDL with arm movements (balance incorporated into the movement)
Resources
Fradkin AJ, Zazryn TR, Smoliga JM. Effects of Warming-up on Physical Performance: A Systematic Review With Meta-analysis. Journal of Strength and Conditioning Research. 2010;24(1):140-148. doi:https://doi.org/10.1519/jsc.0b013e3181c643a0
Kozai A, Surgenor B, Ma. The Importance of a Good Warm-Up: Are You Warm Enough to Start Dancing?; 2017. https://iadms.org/media/3598/iadms-resource-paper-the-importance-of-a-good-warm-up.pdf
McMillian DJ, Moore JH, Hatler BS, Taylor DC. Dynamic vs. Static-Stretching Warm Up: The Effect on Power and Agility Performance. The Journal of Strength and Conditioning Research. 2006;20(3):492. doi:https://doi.org/10.1519/18205.1
NYSMI | The Importance of Stretching and Warm Up Exercises Before Physical Activity. Accessed August 24, 2023. https://nysportsmedicineinstitute.com/the-importance-of-stretching-and-warm-up-exercises-before- physical-activity/#:~:text=Warming%20up%20exercises%20increase%20blood
Disclaimer
All content found on the Dancewear Center Website, Instagram, Facebook, Pinterest, and all other relevant social media platforms including: text, images, audio, or other formats were created for informational purposes only. Offerings for continuing education credits are clearly identified and the appropriate target audience is identified. The Content is not intended to be a substitute for professional medical advice, diagnosis, or treatment. Always seek the advice of your physician or other qualified health provider with any questions you may have regarding a medical condition. Never disregard professional medical advice or delay in seeking it because of something you have read on this Website.
If you think you may have a medical emergency, call your doctor, go to the emergency department, or call 911 immediately. Dancewear Center does not recommend or endorse any specific tests, physicians, products, procedures, opinions, or other information that may be mentioned on dancewearcenter.net. Reliance on any information provided by dancewearcenter.net, Dancewear Center employees, contracted writers, or medical professionals presenting content for publication to Dancewear Center is solely at your own risk.
Links to educational content not created by Dancewear Center are taken at your own risk. Dancewear Center is not responsible for the claims of external websites and education companies.
How to Mentally Navigate Returning to Dance After a Summer Break
Returning to dance in the fall is always a challenge. Many of us spend the summer either taking a break from dancing or dancing significantly less than usual. Don’t get me wrong, rest is incredibly useful for dancers. It’s also important to spend time with friends and family and engage in other activities that bring dancers joy. Some may be fearful that they’ve lost a significant amount of their dance technique over the break or that their focus will be out of shape. No matter what type of nerves you’re feeling, there are small steps to take to ensure you’re mentally prepared to return to studio dancing.
Tips For Getting Into Dance After a Break
By Madison Huizinga, DWC Blog Editor
Returning to dance in the fall is always a challenge. Many of us spend the summer either taking a break from dancing or dancing significantly less than usual. Don’t get me wrong, rest is incredibly useful for dancers. It’s also important to spend time with friends and family and engage in other activities that bring dancers joy. Some may be fearful that they’ve lost a significant amount of their dance technique over the break or that their focus will be out of shape. No matter what type of nerves you’re feeling, there are small steps to take to ensure you’re mentally prepared to return to studio dancing.
Something that I find crucial when returning to dance is accepting the fact that my body will move differently after a break. It can be mentally challenging to reconcile with the fact that we’re not quite moving in the same way we were a few months ago. Our extensions might be a bit lower and our turn out may not be the same as it was before, and that’s okay! Accept the fact that your mobility is going to change slightly depending on your different levels of activity and inactivity. Feel free to cut yourself a little bit of slack for not quite meeting the expectations you set for yourself. Just because you find yourself in a different place than you were a few months ago, or even a year ago, doesn’t mean you won’t get back to where you were before. In fact, following a break from dance, I often find that my mind is more open and ready to absorb information. I can pick up choreography faster and learn how to do new moves more efficiently after my body and mind have taken time to heal and rest. Keeping this in mind can be helpful when transitioning back into dancing more regularly and rigorously.
Photo By Mathilde Langevin on Unsplash
A useful way I mentally adjust to getting back into dance, or starting any new routine, is journaling about my thoughts and feelings. According to the University of Rochester’s Medical Center, journaling is a helpful way to manage anxiety, reduce stress, and cope with depression. For me, journaling holds all of these benefits because it helps me understand the root causes of my fears, identify unhelpful thought patterns, and give myself positive affirmations about moving forward. When I notice that I’m not quite meeting my performance goals in dance, it can feel quite discouraging. I begin to feel like I’m being lazy, a slacker, or just downright losing my skills and won’t be able to get them back. When I journal about how I’m feeling, I’m able to realize that while I may be feeling these emotions in the moment, they aren’t necessarily true. Through writing, I can see that I’m feeling the way I’m feeling because I took a break from dancing and am getting into the rhythm of a new routine. By coming to this realization, I can reassure myself that I will be able to get back on track with some time and effort. Suddenly, my situation doesn’t seem like an utter catastrophe, but rather a natural symptom of taking time off.
Another helpful way to use journaling to prepare yourself for getting back into dance is to set realistic goals for yourself. A significant part of goal setting that people often neglect is setting attainable goals or those that you’re capable of achieving. For example, if I were to return to dance after a three-month break, setting a goal for myself to perfectly execute triple pirouettes my first week of class isn’t attainable. Instead, I need to be honest with myself about what I am capable of achieving.
“Finally, one of the most useful things to remember when getting back into dance is that you aren’t alone.”
To create some structure in my life, before I get started on my day, I like to set three goals about what I hope to accomplish, big or small. This is a simple practice that dancers can do before each dance class. These goals can be anything from paying more attention to your épaulement during barre exercises to asking questions about certain steps you want more assistance with. Setting these goals allows me to have a more systematic approach to getting back into dance, which can make me feel like I’m making more of an effort to progress back to where I once was.
Photo By Daria Nepriakhina on Unsplash
Finally, one of the most useful things to remember when getting back into dance is that you aren’t alone. Chances are most of your peers have also taken time off and may also be feeling insecure about getting back into dancing. The past year and a half of dancing through Zoom and/or taking time off is a universal experience for dancers, whether they’re beginners or professionals. Reach out to other dancers in your classes and connect with them about the challenges of returning to studio dancing. You can even create a plan to set goals together about what you hope to accomplish in the coming year and check in with each other regularly to see how you’re feeling.
Breaks are necessary for any field, they help us recharge and come back stronger. Regardless of how important they are, ending the break and returning to “regularly scheduled programming” can seem intimidating. But through journaling about your emotions, goal setting, and connecting with peers, getting back into dance can be a far less daunting feat than it seems on the surface.
Disclaimer
All content found on the Dancewear Center Website, Instagram, Facebook, Pinterest, and all other relevant social media platforms including: text, images, audio, or other formats were created for informational purposes only. Offerings for continuing education credits are clearly identified and the appropriate target audience is identified. The Content is not intended to be a substitute for professional medical advice, diagnosis, or treatment. Always seek the advice of your physician or other qualified health provider with any questions you may have regarding a medical condition. Never disregard professional medical advice or delay in seeking it because of something you have read on this Website.
If you think you may have a medical emergency, call your doctor, go to the emergency department, or call 911 immediately. Dancewear Center does not recommend or endorse any specific tests, physicians, products, procedures, opinions, or other information that may be mentioned on dancewearcenter.net. Reliance on any information provided by dancewearcenter.net, Dancewear Center employees, contracted writers, or medical professionals presenting content for publication to Dancewear Center is solely at your own risk.
Links to educational content not created by Dancewear Center are taken at your own risk. Dancewear Center is not responsible for the claims of external websites and education companies.
DWC Recovery Product Guide
After getting back into dance following a break, it’s typical for your body to need a little extra TLC (see Physical Therapist Colleen Bickel’s article on tips for physically returning to dance). Not to mention, many dancers are also gearing up for competition and convention season, which is always physically demanding. Taking time to rest and recover is often just as important as the dance training itself. This means rolling out and resting your sore muscles but also setting aside time to pamper yourself to feel mentally refreshed. Check out this list of our favorite recovery products at Dancewear Center to help provide yourself with some needed restoration in the coming dance year.
By Madison Huizinga, DWC Blog Editor
As dancers are coming back from summer intensives/vacation and preparing for the new dance year, it is vital that we as dancers take care of our bodies properly. After getting back into dance following a break, it’s typical for your body to need a little extra TLC (see Physical Therapist Colleen Bickel’s article on tips for physically returning to dance). Taking time to rest and recover is often just as important as the dance training itself. This means rolling out and resting your sore muscles but also setting aside time to pamper yourself to feel mentally refreshed. Check out this list of our favorite recovery products at Dancewear Center to help provide yourself with some needed restoration in the coming dance year.
Bloch Resistance Bands
Using latex material, this resistance band is perfect for dancers recovering from an injury or for young dancers preparing for their pointe shoes. This product comes in three different colors that indicate different weights, mint green is light, teal blue is medium and royal blue is heavy. The weights can determine which band is best for your recovery process and can target specific areas that are in need of strengthening. Shop for this product in-store or online here!
Flexistretcher
The Flexistretcher is leading the dance world as one of the top training tools for strength and flexibility. Using elastic resistance technology, this product effectively and safely improves flexibility and strength by strengthening the muscles as you stretch. The loops are fully adjustable to fit all bodies and have rubber stoppers that allow the loop to always stay in place without falling off. Be sure to find this product in-store or online! Be sure to check out our How To Videos on the Flexistretcher as well!
Footsie Roller
Do you have tension in your feet that just won’t go away? The Footsie Roller is just the product for you! This roller is designed to relieve tension in the arches of the feet from long rehearsals or sudden injury. Being made of wood and silicone allow for the roller to alleviate knots and tiredness in the feet instantly. Lightweight and durable, this product is easy to throw in your dance bag and carry around wherever you need it!
Apolla Performance
Apolla Performance products are known to be top-notch for dancers around the country for recovery and performance use. Recently featured on Shark Tank, Apolla’s compression socks and legwarmers leave dancers’ feet and legs feeling and looking great. Apolla Performance products use shock absorption technology to help comfort the balls of the feet and squeeze the arch of the foot for maximum comfort and support in any style of dance. The Amp Shock, Performance Shock, Infinite Shock, and the K-Warmer are perfect to help dancers’ feet recover and get prepped for the new dance season! Be sure to check out our How To Video on using traction spray with Apollas!
FLX Infinity Ball
Unlike your regular tennis ball, the FLX Infinity Ball is strategically designed for dancers that need to roll out their sore muscles. While this product is small, it packs a lot of power and is built to handle intense pressure to ensure that knots and soreness in muscles are alleviated. The contoured shape is perfect to get a targeted deep-tissue massage to diminish pain and restore mobility. DWC carries this product in two different colors so be sure to get one in-store or online!
Tiger Balm
Tiger balm is a topical ointment that is aimed to help relieve sore muscles for dancers and hurt areas on the dancer’s body. This product is perfect for use after a rough class or rehearsal where the body needs a little love. You can keep this product in your dance bag for easy access after classes that leave muscles feeling sore. Shop for this product in-store at either Dancewear Center location!
We hope this Recovery Guide can help make the recovery process a little easier!
Disclaimer
All content found on the Dancewear Center Website, Instagram, Facebook, Pinterest, and all other relevant social media platforms including: text, images, audio, or other formats were created for informational purposes only. Offerings for continuing education credits are clearly identified and the appropriate target audience is identified. The Content is not intended to be a substitute for professional medical advice, diagnosis, or treatment. Always seek the advice of your physician or other qualified health provider with any questions you may have regarding a medical condition. Never disregard professional medical advice or delay in seeking it because of something you have read on this Website.
If you think you may have a medical emergency, call your doctor, go to the emergency department, or call 911 immediately. Dancewear Center does not recommend or endorse any specific tests, physicians, products, procedures, opinions, or other information that may be mentioned on dancewearcenter.net. Reliance on any information provided by dancewearcenter.net, Dancewear Center employees, contracted writers, or medical professionals presenting content for publication to Dancewear Center is solely at your own risk.
Links to educational content not created by Dancewear Center are taken at your own risk. Dancewear Center is not responsible for the claims of external websites and education companies.
A DWC Back-to-School Shopping Guide
Just like that: back-to-school season is upon us! And as the summer winds to a close and students start stocking their pencil cases, that also means back to dance season is upon us. Back to dance season often calls for a trip to the dancewear store, as young kids grow out of their old leotards, and older dancers wear out their favorite dancing shoes. As always, Dancewear Center strives to set all dancers up for success year-round, and the back-to-school season is no exception. Here are some of our back-to-dance season must-haves!
Our Must-Have Picks For Fall
By Madison Huizinga & Nicole Barrett, DWC Blog Editor
Just like that: back-to-school season is upon us! And as the summer winds to a close and students start stocking their pencil cases, that also means back to dance season is upon us. Back to dance season often calls for a trip to the dancewear store, as young kids grow out of their old leotards, and older dancers wear out their favorite dancing shoes. As always, Dancewear Center strives to set all dancers up for success year-round, and the back-to-school season is no exception. Here are some of our back-to-dance season must-haves!
Basic Leotards
We love our fashion leotards just as much as the next dancer here at DWC. At the same time, we know that some dress codes are a bit more specific about what they expect students to wear. That’s why we’ve got our local community covered, offering leotards in camisole styles, tank styles, cap sleeves, long sleeves, and more in a variety of colors for both children and adults. We also offer a selection of basics for men, including leotards and dance shirts.
Tights
As a dancer, tights are an item I simply cannot have enough of. Having extra tights on hand is not only helpful in case of emergencies at performances and competitions, but also during a hefty class and rehearsal load each week. At DWC, we have an abundance of classic transition tights, perfect for the busy ballerina. We also carry footed tights, footless tights, fishnets, and men’s tights, so there is an option for whichever genre you’re exploring.
Hanami Stretch Canvas Ballet Shoe
For those taking ballet classes, having a trustworthy pair of ballet slippers is of the utmost importance. Of all the fabulous ballet slippers Dancewear Center carries, the ones I swear by are the Hanami Stretch Canvas Ballet Shoes by Capezio. With its soft canvas fabric, this ballet slipper stretches around the foot and holds it firmly, similar to a sock. The split sole of the ballet shoe allows for a seamless line when pointing the foot, and the no-drawstring design makes it completely hassle-free. This ballet slipper simply cannot be recommended enough!
Warm-Ups
As the temperatures outside begin cooling down and dancers have more and more downtime in between classes and rehearsals, it’s important that they wear clothes that keep their muscles warm when they are resting. A wrap sweater is a classic option for bunheads, whereas the Dancewear Center hoodie is sure to keep you warm in the studio and at home. As far as pants go, the Eurotard Ripstop Warm-Up Pants are sure to keep dancers’ muscles insulated with heat, and the Claudia Dean World Tracksuit Pants are the perfect option for staying cozy.
Dance Bags
Back-to-school season is also the perfect time for dancers to try out a new dance bag to carry all their new goodies for the dance season ahead. The AK Multi-Purpose Backpack by AK Dancewear has all the features a dancer needs, including numerous pockets, an air-ventilated shoe compartment at the bottom of the bag, a padded zipper compartment for electronic devices, and a separate wet zipper pocket for temporary sweaty gear. The Claudia Dean World Pro Bag by Claudia Dean World similarly has an abundance of storage space, and insulation, and is complete with adorable rose gold detailing. Or this stylish RP Origami bag!
Tiger Balm
Tiger balm is a topical ointment that is aimed to help relieve sore muscles for dancers and hurt areas on the dancer’s body. This product is perfect for use after a rough class or rehearsal where the body needs a little love. You can keep this product in your dance bag for easy access after summer classes that leave muscles feeling sore. Shop for this product in store at either Dancewear Center location!
Capezio Ballerina Girl Water Bottle
Coming back to dance after a break requires dancers to make sure that they are keeping hydrated. The Capezio Ballerina Girl Water Bottle is perfect for this! This stainless steel water bottle is lightweight and small so it is perfect to travel with and includes a convenient clip on the lid to attach to your favorite dance bag. Be sure to stay hydrated dancers!
Hair Supplies
Every dancer knows the struggle of reaching into their dance bag, looking for the right materials to make the perfect bun and finding…nothing. All of the hair ties, bobby pins and hair nets fall deep into the abyss that is the dance bag. So, in order to be prepared for the inevitable, extra hair ties, hair nets and bobby pins are a must to get through the rough first classes back. DWC has all of your needs covered with different styles and brands to choose from in store or online!
The Flexistretcher
As you are coming back from the off-season you may have lost a little flexibility. Nothing to worry about! The Flexistretcher is designed for dancers to build flexibility safely and in control. With adjustable straps and padded brace, it will help you build your flexibility back and gain even more range than before! DWC also has you covered with how to videos to get you started with your Flexistretcher!
Disclaimer
All content found on the Dancewear Center Website, Instagram, Facebook, Pinterest, and all other relevant social media platforms including: text, images, audio, or other formats were created for informational purposes only. Offerings for continuing education credits are clearly identified and the appropriate target audience is identified. The Content is not intended to be a substitute for professional medical advice, diagnosis, or treatment. Always seek the advice of your physician or other qualified health provider with any questions you may have regarding a medical condition. Never disregard professional medical advice or delay in seeking it because of something you have read on this Website.
If you think you may have a medical emergency, call your doctor, go to the emergency department, or call 911 immediately. Dancewear Center does not recommend or endorse any specific tests, physicians, products, procedures, opinions, or other information that may be mentioned on dancewearcenter.net. Reliance on any information provided by dancewearcenter.net, Dancewear Center employees, contracted writers, or medical professionals presenting content for publication to Dancewear Center is solely at your own risk.
Links to educational content not created by Dancewear Center are taken at your own risk. Dancewear Center is not responsible for the claims of external websites and education companies.
Physically Returning to Dance: Tips on Handling Load Tolerance and DOMS
It’s an exciting time of the year: the leaves are just starting to change colors, there is a crispness to the morning air, and most importantly, we are returning to the studio to dance!
While dancers usually stay very active in the summer, it’s not usually the same intensity or type of training as during the school year. You might have been swimming, hiking, biking, playing beach volleyball, etc. You might have been dancing but the daily dance classes and training were probably less intense or more intermittent. And the classes might have been virtual.
By Colleen Bickel, Local Physical Therapist and Dancer
It’s an exciting time of the year: the leaves are just starting to change colors, there is a crispness to the morning air, and most importantly, we are returning to the studio to dance!
While dancers usually stay very active in the summer, it’s not usually the same intensity or type of training as during the school year. You might have been swimming, hiking, biking, playing beach volleyball, etc. You might have been dancing but the daily dance classes and training were probably less intense or more intermittent. And the classes might have been virtual.
So, picture this. Imagine that you are a marathon runner. And in the training season, you run up to 50 miles a week. In the off-season, you run maybe 6 miles per week just to “stay in shape.” Do you think the first week back in your training season you should go directly to 50 miles?
It’s easy to say in that scenario, “absolutely not.” But, as dancers, we usually go from not dancing to a full schedule, giving 100% to every class. We do it because we are excited to return to the studio and we love to dance. We do it because we don’t want to appear lazy or disappoint our teachers. But this mentality does sometimes lead to injury.
In the world of Physical Therapy, we talk about “load tolerance of tissue” (tissue, in this case, includes muscle, bone, and connective tissue like tendons and ligaments). Basically, what kind of “loads” can your body handle and how quickly can you progress those loads. If you load too fast and don’t allow your body adequate time to rest and repair, then we end up with things like tendonitis, stress fractures, shin splints, or other “over-use” injuries. “Over-use” is pretty much “over-loaded” without adequate chance to rest and repair.
A less worrisome (but often not enjoyable) bodily experience after returning to dance is DOMS (delayed-onset muscle soreness). DOMS is intense muscle soreness that occurs 12-72 hours after an activity. If you are dancing every day, sometimes it’s hard to know what you are feeling sore from; is it today’s ballet class or hip hop 2 days ago?
So, what things should dancers do to mitigate DOMS and possible over-use injuries when returning to dance?
The two big categories for injuries and over-use are jumps and relevés. These are movements that our bodies need to slowly build up a tolerance for and we are likely not performing the same amount of them in our off-season. Ultimately, be thoughtful about the amount of repetitive loading that is occurring each day. How many relevés and how many jumps are you performing each day? You might need to limit this amount and then slowly increase it while also allowing enough time for recovery in between sessions.
When returning from a break, recommendations include:
Make sure you are adequately warmed up.
Be careful about overstretching before class. Focus on improving flexibility after class and perform a dynamic warm-up before class.
Don’t try to perform challenging movements when you are fatigued.
Limit the amount of relevés you are performing daily. Maybe you perform some relevés at barre during ballet but not every combination in the center. Maybe you perform relevés during pointe class but limit them in your ballet class prior. Remember it’s about the total number per day and your body’s ability to have time to recover before performing that activity again.
Limit the number of jumps you are performing daily. Possibly limit the height of your jumps as you slowly return to dance. Focus on building up your tolerance for jumping with smaller jumps and working on good alignment and mechanics.
“Be careful about overstretching before class. Focus on improving flexibility after class and perform a dynamic warm-up before class.”
The two big categories for DOMS are pliés/grandpliés and planks/push-ups. These movements utilize large muscles that will get sore! With DOMS, you should feel the soreness with movement or stretching but not with rest. The soreness should be in the muscle belly and not in a tendon, ligament, or joint.
If dealing with DOMS, recommendations include:
Perform light gentle movement. This could be walking, a light elliptical or bike cardio workout, or going through a dynamic warm-up. This maintains blood flow which nourishes the muscle to heal quickly and does not allow lactic acid to build up.
Research has shown that stretching and releases (ball rolling, foam roller, massage gun, massage session, etc) won’t affect it either way. Won’t make it better, won’t make it worse.
Avoid NSAIDs like ibuprofen. These interfere in the natural process of soreness, recovery, and adaptation.
Overall, make sure you are getting enough sleep and good nutrition. The body recovers while you are sleeping, so if you are not getting enough sleep, you are not recovering to the best of your abilities. If you are not getting adequate nutrition, your body does not have the basic building blocks it needs to recover.
DOMS should resolve with time. If the pain persists for weeks, if you are markedly worse AFTER class, or if the pain is sharp/burning/tingling/searing then you may be dealing with an injury and these factors should be respected. At this point, seeing a physical therapist may be a good idea.
Ultimately, you know your body better than anyone else! Let your teacher know if you need to limit movements and self-advocate for what you need! And just know that after a few weeks of slowly increasing your tolerance, you will be back in great shape and able to go 110%.
DWC Ambassador Kendall Hadley On The Mental Challenges Of Injury
Overcoming the physical and mental challenges of my injury was one of the hardest things I have gone through as a dancer.
In both 7th grade and my sophomore year of high school, I dislocated my knee during dance class. The first time I came out of a jump and landed poorly and sat out for four months. The second time my pointe shoe slid out from under me and I sat out for six months.
By Kendall Hadley, DWC Ambassador
Pronunciation: Can-doll Had-lee | Pronouns: she/her
Overcoming the physical and mental challenges of my injury was one of the hardest things I have gone through as a dancer.
In both 7th grade and my sophomore year of high school, I dislocated my knee during dance class. The first time I came out of a jump and landed poorly and sat out for four months. The second time my pointe shoe slid out from under me and I sat out for six months.
As a dancer I’ve become accustomed to relying on my body to perform as it needs to as long as I take care of it. My injuries were both sudden, unpredictable, and devastating. I could no longer count on my body the way I used to. I had to rely on crutches to walk, and others to be kind enough to help me with simple tasks such as opening the door. During this time I had to repair the physical and mental relationship of my body during the time of my injury, and long after my recovery.
While tedious, my physical recovery is essential to my healing, and it still benefits me today. Having back-to-back doctors and physical therapy appointments was time consuming, but I also learned more about my body in that time than I ever had before. Finding a physical therapist that was supportive as well as knowledgeable of my recovery process was extremely helpful in my recovery. It’s important that your physical therapist knows you are returning to dance, not just to recreational activity. Dance is a physically demanding sport that requires strength and endurance. I had to advocate for myself and explain the physical demands that were required for my sport were not simple. My physical therapist and I both worked to develop a routine that would help me return to my regular dance activity.
After months of hard work, rest, and truly listening to my body I was able to slowly return to taking class. After my second injury I encountered many more mental obstacles than physical. I no longer trusted my body. I was always psyching myself out from trying new movements, compared myself to others, and encountered anxiety within the classroom.
Anytime I was introduced to new movements I encountered anxiety. Fearing re-injury, I found I was holding myself back in dance and wasn’t pushing myself. This stunted my growth as a dancer. I had to learn to overcome these physical and mental obstacles overtime.
The things that really aided me on me journey to mental recovery:
-Go to your dance classes and take notes
I know it can be hard to watch your friends get to dance and not be able to join them, but this will help you learn by watching and remembering your terminology. It also shows that you genuinely want to be there and your instructors will see that.
-Know the difference between pain and discomfort
This requires an elevated awareness of your body that not many people possess. There is a difference between doing something your body isn’t used to and dancing through pain. Learn what is your body entering new territory and what is your body’s way of saying it needs a break.
-Take care of your body
Beyond the doctors appointments and dance classes, there is so much you can do to take care of your body. The little things like cold showers or warm baths make all the difference. Take time to ice your feet, warmup, roll out, stretch, meditate, and do everything your body needs to before hitting the dance floor.
-Be patient with yourself
Being a dancer you require a lot from your body. Understanding that your body needs the time to work up to what it once was is difficult. I have found that in some ways my injury has made me stronger as a dancer and I go into dance with an appreciation for my body and what it is allowing me to do. It may take some time before your body is dancing at the level it used to, but you may be a better dancer because of it.
Disclaimer
All content found on the Dancewear Center Website, Instagram, Facebook, Pinterest, and all other relevant social media platforms including: text, images, audio, or other formats were created for informational purposes only. Offerings for continuing education credits are clearly identified and the appropriate target audience is identified. The Content is not intended to be a substitute for professional medical advice, diagnosis, or treatment. Always seek the advice of your physician or other qualified health provider with any questions you may have regarding a medical condition. Never disregard professional medical advice or delay in seeking it because of something you have read on this Website.
If you think you may have a medical emergency, call your doctor, go to the emergency department, or call 911 immediately. Dancewear Center does not recommend or endorse any specific tests, physicians, products, procedures, opinions, or other information that may be mentioned on dancewearcenter.net. Reliance on any information provided by dancewearcenter.net, Dancewear Center employees, contracted writers, or medical professionals presenting content for publication to Dancewear Center is solely at your own risk.
Links to educational content not created by Dancewear Center are taken at your own risk. Dancewear Center is not responsible for the claims of external websites and education companies.
How To Flexistretch Your Hamstrings
The Flexistretcher is a great tool that is used for the recovery and strengthening that dancers around the country find themselves using. Luckily, we have a certified Flexistretcher instructor on our DWC team that has a great tutorial on how to use this product. Read on to learn more about the FLX Hamstring Stretch with DWC Staff member Emma Neilson!
By Nicole Barrett & Emma Neilson
The Flexistretcher is a great tool that is used for the recovery and strengthening that dancers around the country find themselves using. Luckily, we have a certified Flexistretcher instructor on our DWC team that has a great tutorial on how to use this product. Read on to learn more about the FLX Hamstring Stretch with DWC Staff member Emma Neilson!
Grab your Flexistretcher and lay on your back with your knees facing up.
Bring your leg to your chest and place the ball of your foot on the elastic pad.
Hold the loops on either side of the elastic pad and carefully extend your leg.
Once your leg is all the way straightened, gently pull down on the loops to activate the stretch.
Hold this stretch for 30 seconds.
Repeat on the other side.
We hope that this tutorial helped you perfect your hamstring stretch with the Flexistretcher! Be sure to watch the full video below for a visual of this stretch!
Disclaimer
All content found on the Dancewear Center Website, Instagram, Facebook, Pinterest, and all other relevant social media platforms including: text, images, audio, or other formats were created for informational purposes only. Offerings for continuing education credits are clearly identified and the appropriate target audience is identified. The Content is not intended to be a substitute for professional medical advice, diagnosis, or treatment. Always seek the advice of your physician or other qualified health provider with any questions you may have regarding a medical condition. Never disregard professional medical advice or delay in seeking it because of something you have read on this Website.
If you think you may have a medical emergency, call your doctor, go to the emergency department, or call 911 immediately. Dancewear Center does not recommend or endorse any specific tests, physicians, products, procedures, opinions, or other information that may be mentioned on dancewearcenter.net. Reliance on any information provided by dancewearcenter.net, Dancewear Center employees, contracted writers, or medical professionals presenting content for publication to Dancewear Center is solely at your own risk.
Links to educational content not created by Dancewear Center are taken at your own risk. Dancewear Center is not responsible for the claims of external websites and education companies.
Seattle Dance and Performing Arts Medicine
Seattle Dance and Performing Arts Medicine, also known as SeaPam, is a fantastic resource for dancers who are in need of medical treatment from an injury! This community is filled with committed professionals in the industry that strive to promote healthy performance, education, training and help maintain a beneficial lifestyle for dancers in the Seattle area. They hope that they can enable all performing artists to pursue long, healthy performing careers!
By Nicole Barrett, DWC Blog Editor
Seattle Dance and Performing Arts Medicine, also known as SeaPam, is a fantastic resource for dancers who are in need of medical treatment from an injury! This community is filled with committed professionals in the industry that strive to promote healthy performance, education, training and help maintain a beneficial lifestyle for dancers in the Seattle area. They hope that they can enable all performing artists to pursue long, healthy performing careers!
One of the things that sets SeaPam apart is their free clinic for performing artists. This clinic welcomes all dancers and performing artists of all abilities and genres. The free clinic is designed to assist with diagnosing the injuries of performing artists that are uninsured, but everyone is welcome! SeaPam takes a team-based approach at taking care of the local artist community to address all health-related needs.
These appointments run about 30-60 minutes depending on the severity of the injury. The beginning will be with a physician that will speak with you for about 15-20 minutes about your physical problem and perform a physical examination. Then for the last 20-40 minutes you will see a physical therapist that will help you develop an effective home exercise program to help address your specific issue.
If you would like to find out when the next clinic will be, you can bookmark their homepage on their website and check the calendar regularly. You can also sign up for email updates when new clinic appointments are available or check their facebook page here for more updates!
image courtesy of seapam.com
Disclaimer
All content found on the Dancewear Center Website, Instagram, Facebook, Pinterest, and all other relevant social media platforms including: text, images, audio, or other formats were created for informational purposes only. Offerings for continuing education credits are clearly identified and the appropriate target audience is identified. The Content is not intended to be a substitute for professional medical advice, diagnosis, or treatment. Always seek the advice of your physician or other qualified health provider with any questions you may have regarding a medical condition. Never disregard professional medical advice or delay in seeking it because of something you have read on this Website.
If you think you may have a medical emergency, call your doctor, go to the emergency department, or call 911 immediately. Dancewear Center does not recommend or endorse any specific tests, physicians, products, procedures, opinions, or other information that may be mentioned on dancewearcenter.net. Reliance on any information provided by dancewearcenter.net, Dancewear Center employees, contracted writers, or medical professionals presenting content for publication to Dancewear Center is solely at your own risk.
Links to educational content not created by Dancewear Center are taken at your own risk. Dancewear Center is not responsible for the claims of external websites and education companies.
Tips For Preparing Your Pointe Shoes for Summer Ballet Intensives
An exciting summer of dancing is in store for many dancers this year with summer ballet intensives right around the corner. Intensives are a great way to challenge oneself, try new skills, meet new people, and experience different ballet styles. They are also called “intensives” for a reason, as dancers are typically dancing hours a day for weeks on end, sometimes in different states. At Dancewear Center, we want to make sure our customers are prepared for an exciting summer of dancing by providing them with the tips and supplies they need to be successful.
By Madison Huizinga, DWC Blog Editor
Photo by Elena Kloppenburg from Unsplash
An exciting summer of dancing is in store for many dancers this year with summer ballet intensives right around the corner. Intensives are a great way to challenge oneself, try new skills, meet new people, and experience different ballet styles. They are also called “intensives” for a reason, as dancers are typically dancing hours a day for weeks on end, sometimes in different states. At Dancewear Center, we want to make sure our customers are prepared for an exciting summer of dancing by providing them with the tips and supplies they need to be successful.
An important part of preparing for summer ballet intensives is making sure your pointe shoes are prepared for long hours of dancing. Pointe shoes only last about 10-20 dancing hours on average. It’s helpful for dancers to take steps to prolong the life of their shoes, as dancing in dead shoes can have adverse effects on foot and ankle health. For instance, dancing in dead pointe shoes with little support overloads dancers’ joints and can change their center of gravity, which can make force unevenly distributed and excessively load the front of dancers’ feet. This can put dancers’ feet and ankles at risk for stress fractures, bunions, and more harmful injuries in the long run. See: “The Dangers of Dancing on Dead Pointe Shoes” by Dance Magazine
So, how can dancers prolong the life of their pointe shoes to prepare for upcoming summer ballet intensives?
Rotate Multiple Pairs of Shoes
Firstly, dancers can rotate their pointe shoes to keep them lasting longer. To do this, dancers can purchase multiple pairs of their pointe shoes, sew them, and alternate the ones they wear each day. It’s helpful to take into account the average lifespan of a pointe shoe (10-20 dancing hours) when determining how many pointe shoes one should bring to a summer ballet intensive.
Prepare for the Environment
Secondly, take into account the location where your summer ballet intensive will be held. In more humid environments, pointe shoes tend to die at faster rates. Considering pointe shoes are essentially made of layers of paper/cardboard and paste, exposing them to hot environments with high levels of moisture in the air will cause them to deteriorate quicker. So, if your summer intensive is located in some of the hotter and more humid areas of the United States, like Florida, Louisiana, or Hawaii, you may want to consider bringing along more pairs of pointe shoes to rotate throughout the intensive.
Photo by Michael Afonso from Unsplash
Dry Out Your Shoes
In addition, it’s helpful to dry out your pointe shoes when you’re not dancing in them to help slow their deterioration. One of the best ways to do this is not to leave your worn pointe shoes in your dance bag after class when you’re not wearing them. This creates a “sauna effect,” exposing your shoes to a stuffy, humid environment that can cause them to break down faster. When you’re not wearing your pointe shoes, take them out of your dance bag, don’t fold them inside one another, and lay them out to dry (it can take pointe shoes 48-72 hours to fully dry out!). When transporting pointe shoes to the studio, putting them in a mesh bag can help them aerate and keep them out of direct sunlight to prevent further deterioration. It’s also important to not leave pointe shoes in a car or any other environment that isn’t climate controlled.
Strategically Use Reinforcing Agents
There are some products you can purchase alongside your pointe shoes that will help extend their shelf life: one of which is Jet Glue. Where to apply Jet Glue varies slightly among dancers; however, the most common placement is on the outside and inside of the shoe’s shank, covering 1.5-2 inches where the arch breaks. Some dancers also put it on either side of the shank and in the box of their shoes. Before applying Jet Glue to your pointe shoes, we recommend consulting with a DWC fitter to see how you can best apply it to maximize the shoe’s support and integrity for your unique needs.
Schedule a Pointe Shoe Fitting
It’s especially important for dancers to touch base with a fitter before and/or during their summer intensives to ensure that they’re taking the best possible pointe shoes and products with them to help them feel supported. To prep for intensives, DWC fitters will ask dancers where their intensives are taking place, how their current shoes are breaking down, whether the intensive is requiring certain pointe shoes, how many pairs of shoes the dancer should bring, and more. DWC fitters can also help evaluate how dancers’ shoes are breaking down, recommend where to apply reinforcement agents like Jet Glue, and make sewing suggestions to help maximize the pointe shoe’s performance. Dancers can also discuss what their intensive workload will look like so fitters can potentially recommend different shoes for different activities, as some loads might require shoes with a harder or softer shank, for example.
Importantly, due to unfavorable supply chain circumstances, stock in some pointe shoe styles is limited. That’s why we recommend that dancers have backup options to assure they have shoes to take with them to the intensives.
Photo by Bruno Horwath from Unsplash
Schedule an Injury Risk Prevention Appointment with a Dance Medicine Specialist
Finally, it’s important that dancers are aware of any potential injury flare-ups that could come up when dancing long hours. For example, master pointe shoe fitter Josephine Lee of ThePointeShop says that issues like tendonitis can flare up during summer intensives because of the added workload on the feet. We recommend visiting a dance medicine specialist before heading to your summer intensive, as specialists can conduct body assessments, analyze what physical challenges you’ve been experiencing, which problems may potentially flare up, and give a specific plan to follow to help mitigate the risk of injury. Check out our dance medical specialists page on our website to find specialists in your area!
Summer intensives can be enriching experiences for dancers of all ages and technique levels. What makes them even more successful for dancers is ensuring that their pointe shoes are in the best condition they can be to support dancers’ feet. Be sure to book your pointe shoe fitting appointments at DWC today. Happy intensive season!
Disclaimer
All content found on the Dancewear Center Website, Instagram, Facebook, Pinterest, and all other relevant social media platforms including: text, images, audio, or other formats were created for informational purposes only. Offerings for continuing education credits are clearly identified and the appropriate target audience is identified. The Content is not intended to be a substitute for professional medical advice, diagnosis, or treatment. Always seek the advice of your physician or other qualified health provider with any questions you may have regarding a medical condition. Never disregard professional medical advice or delay in seeking it because of something you have read on this Website.
If you think you may have a medical emergency, call your doctor, go to the emergency department, or call 911 immediately. Dancewear Center does not recommend or endorse any specific tests, physicians, products, procedures, opinions, or other information that may be mentioned on dancewearcenter.net. Reliance on any information provided by dancewearcenter.net, Dancewear Center employees, contracted writers, or medical professionals presenting content for publication to Dancewear Center is solely at your own risk.
Links to educational content not created by Dancewear Center are taken at your own risk. Dancewear Center is not responsible for the claims of external websites and education companies.
Get To Know DPT Era Terry
All dancers have struggled with the issue of trying to find a physical therapist or doctor that understands how a dancer’s body moves. There are various doctors out there who just don’t understand how dancers move which can be frustrating in the recovery process. Luckily we got the chance to speak with Dr. Era Terry to learn more about the dance medicine field in Seattle. Read on to learn more about Era’s dancing journey and what got her into doing physical therapy on dancers!
By Samantha Weissbach DWC Owner & Nicole Barrett, DWC Blog Editor
Pronunciation: Air-ah Tear-ee | Pronouns: she/her
All dancers have struggled with the issue of trying to find a physical therapist or doctor that understands how a dancer’s body moves. There are various doctors out there who just don’t understand how dancers move which can be frustrating in the recovery process. Luckily we got the chance to speak with Dr. Era Terry to learn more about the dance medicine field in Seattle. Read on to learn more about Era’s dancing journey and what got her into doing physical therapy on dancers!
Era grew up dancing and primarily did ballet while exploring competition dance in high school. While getting her undergrad degree after high school, she danced with Chattanooga Ballet in Tennessee where she was a contracted ballet dancer and taught various ballet classes. Once she graduated from undergraduate school, she suffered an ankle injury that took her out of the professional dance world, which allowed her to transition to physical therapy school. She obtained her degree from Columbia University in 2017 and moved to Seattle to pursue her physical therapy career upon graduation. Era still dances around the Seattle area and her mission was to work with dancers specifically to give back to that community.
Era shares that what sparked her decision to start working at her current practice was to work one-on-one with patients for longer periods of time to build that connection with her patients. She started working right after graduating from physical therapy school at a larger clinic where she was meeting with patients every 30 minutes and she realized that this wasn’t the scene for her. She then met the owner of her current practice Kinetic Physical Therapy through a mutual friend and has been a great fit for Era.
Era shares that Seattle is a great place for dance medicine and shares that there are some great resources to help dancers who have injuries.Seattle Dance and Performing Arts Medicine is a great resource for information on clinics and doctors in the area. Era also works in West Seattle at Kinetic Physical Therapy so be sure to come by and see her for all your dancer needs!
Disclaimer
All content found on the Dancewear Center Website, Instagram, Facebook, Pinterest, and all other relevant social media platforms including: text, images, audio, or other formats were created for informational purposes only. Offerings for continuing education credits are clearly identified and the appropriate target audience is identified. The Content is not intended to be a substitute for professional medical advice, diagnosis, or treatment. Always seek the advice of your physician or other qualified health provider with any questions you may have regarding a medical condition. Never disregard professional medical advice or delay in seeking it because of something you have read on this Website.
If you think you may have a medical emergency, call your doctor, go to the emergency department, or call 911 immediately. Dancewear Center does not recommend or endorse any specific tests, physicians, products, procedures, opinions, or other information that may be mentioned on dancewearcenter.net. Reliance on any information provided by dancewearcenter.net, Dancewear Center employees, contracted writers, or medical professionals presenting content for publication to Dancewear Center is solely at your own risk.
Links to educational content not created by Dancewear Center are taken at your own risk. Dancewear Center is not responsible for the claims of external websites and education companies.
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